![]() In the best of stories, it isĪctually characterization that moves the story along, because a compellingĬharacter in a difficult situation creates his or her own plot."Īuthors use many different types of characters to tell their stories.ĭifferent types of characters fulfill different roles in the narrative Important part of characterization is dialogue, for it is both spokenĪnd inward dialogue that afford us the opportunity to see into the characters' Us a sense of verisimilitude, or the semblance of living reality. ![]() People in the story is vicariously happening to us and it also gives ![]() The former is a ‘flat character, and the Prince is a round character who changes and develops considerably in the course of the play.Do for a story? In a nutshell, it allows us to empathize with the protagonistĪnd secondary characters, and thus feel that what is happening to these Shakespeare’s Henry IV (Pts I and II) provides a suitable contrast in the shape of Hotspur and Prince Hal. Micawber in Charles Dickens’s David Copperfield (1849–50) as a flat character and Becky Sharp in William Thackeray’s Vanity Fair (1847–48) as a round one. On the other hand, a ‘round’ character is a complex character with many different characteristics and develops throughout the play or story and thus alters and can surprise the readers.įorster cites Mrs. A ‘flat’ character is uncomplicated, and remains the same in the course of a story or play, and is characterized by only one or two traits. Forster in Aspects of the Novel (1927) to describe two basically different types of character- and characterization. The terms “flat and round characters” are first used by E.
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